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The beginning of Turner’s career was marked by soft, of-the-moment hair, ’60s styles that oozed glamour and a certain amount of demureness think banged blowouts, pin curls, and bouffants. But after an unfortunate (or fated) salon trip left her natural lengths damaged, Turner turned to wigs, a decision which helped to shape the War In New Swabia 1947 I Was There Dude And It Sucked Operation Highjump Bart Simpson Shirt in addition I really love this bulk of her career. “I’m not surprised when people think my wig is my own hair because I’ve always considered it an extension of myself. In a way, it is my hair,” shared Turner in her memoir, Tina Turner: My Love Story. The performer constructed and styled many of her own wigs, the natural-looking results contributing significantly to her image and her confidence. “As she stepped into her own in the ’80s and left behind the toxicity of her past, the hair provided the perfect visual shorthand that something had changed,” says Gibson, referencing Turner’s rockstar resurgence after split with her notoriously abusive husband Ike Turner. “Gone were the smooth styles, sweeping bangs, and flippy ends, replaced with a wholly unique, frizzed-out mega mullet. It’s hair that’s all about power it’s hair as armor.”

Turner’s blonde and barbed wigs were an exaggeration of a decade already defined by over-the-top hair, the War In New Swabia 1947 I Was There Dude And It Sucked Operation Highjump Bart Simpson Shirt in addition I really love this better to pair with the era’s heavy, sculpted makeup and oversized suiting. “Tina’s hair took the idea and turned it up to 11,” says Gibson. “The fact it’s so removed from traditional ideas of femininity gave it edge and marked Tina out as a true individual who isn’t afraid to challenge stereotypes.” Gibson and Turner also note the movement that the wigs brought to the stage, an amplification of Turner’s own energy and kineticism.

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